Strings Attached

Nick Nolan: I set out to create someone with a dazzling character arc; someone that people--gay or straight--could relate to and root for. And I've always loved the sort of conflict that arises with a "fish out of water" storyline--watching how someone adapts to a cataclysmic life change is fascinating. And one's teen years are inherently cataclysmic, so poor Jeremy is nearly overwhelmed. He goes from being poor and fatherless and hopeless to rich and fabulous and sought-after--but still miserable because he isn't being himself. I believe that he's a protagonist that most people will sympathize with.

Question: Strings Attached touches on themes of betrayal, greed, wealth, lust, beauty, love, and temptation. That is a lot for a young man to deal with. Would you explain how you weave these into the plot?

Nick Nolan: Lust is desire mixed with obsession, and many of the characters in this story can't separate the two--sometimes to their great detriment. Each of these elements is related: those in possession of beauty and wealth can tempt those without to lust and temptation and greed, but seldom to love. These are all tied-up inside the human experience of "wanting." In the book, Jeremy's father tells him--in a dream--that one needs to be selfish with respect to what one needs, but to pursue judiciously that which one wants--it's a paradox that few ever take the time to understand.

Question: Your book is a loose reinvention of the classic Pinocchio story. Would you tell us a little more about your connection with the Pinocchio tale, and your decision to work it into your story? Who is struggling with 'strings attached'?

Nick Nolan: Pinocchio is a great tale, which is why everyone remembers it; I think it reflects the pan-human desire to become a better version of ourselves--the wish to become our ideal. So I studied the original story, written by Carlo Collodi many years before that famous cartoon movie. His book seems like a fairy tale, but scholars will tell you that it is steeped in social commentary--and so is my book. Jeremy really is a puppet of the adults around him--with the exception of Arthur, who plays the Blue Fairy; Arthur anticipates his every need, and at the end of the book when we find-out his true identity we learn how important his contact with Jeremy truly is. I have a villain who echoes the original antagonist in Collodi's book, and I've made more plausible that wishing on a star business--I draw a parallel between that and the old Greek and Roman belief that the constellations were the gods, to whom they prayed for protection and guidance. And finally, there is a very believable twist on the original puppet's nose-growing; something similar happens when Jeremy lies...but that's a bit graphic for this interview.

Suffice to say that the Pinocchio parallels are there, but the similarities are subtle--and the story stands on its own without revealing them. And as for who is struggling with "strings attached"... at first one thinks that these bind Jeremy only, and then it becomes clear later on that everyone, except Arthur, in the story struggles against them, because every major theme in the story--beauty, wealth, love, betrayal, lust, greed and temptation--has consequences, or "strings," attached to it.

Question: Nick, who is your target audience? Who would enjoy reading your book?

Nick Nolan: Initially my target audience was youngish gay men, but I've been pleasantly surprised that the appeal of Strings Attached crosses boundaries of age and gender and sexual preference... probably because it's a coming-of-age story; this particular genre endures because those years are burned into every adult's psyche. And who doesn't relate to struggle, and misfortune, and learning to stand up for yourself? Enjoying a good read has little to do with how old you are or whom you sleep with--everyone loves a page-turner when the hero stands victorious at the end.